K-Town Weiss by Black Bridge Brewery

Unless winter decides it did not represent itself enough this year and decides to hang on and bully us until summer, our weather should start to think about spring soon.  Black Bridge’s recent tap-list addition can therefore be viewed as either a farewell to the cold season or a herald of springtime.  The beer is K-Town Weiss, which is pronounced “vice.”

It is a wheat beer of German descent.  The majority of the grist bill will consist of wheat malt, hops presence will be very low, imperceptible.   The ‘weiss’ indicates it’s a “white” beer which meant that this style was cloudy and hazy instead of having the clarity of a pilsener or strong golden ale.   This was due to the yeast still being suspended in the body of the beer.  Additionally, it indicates that a Bavarian weissbier yeast strain was used in production.  You likely have heard of these beers as hefeweizen – refreshing, light and happy beers, perfect for the desert.

That Smell …
All I could pick up was a yeasty, grainy aroma.  No hops present.  I did not get any clove, which is predominantly the nose of these beers.  So you may smell that, or even some bubblegum.

In Appearance …
It is, indeed, yellow. Not cloudy, I’d say, but nebular.  A bright, appealing nebula of orange juice. 

But the Taste …
Light and bubbly body. Banana has a moderate presence here. Maybe that adds to its Springiness, that slight allusion to a tropical ideal. Nice. So Germany, where this originated, really isn’t tropical. It’s fascinating that a yeast strain from there, which was used in this beer, would develop such flavor motif.  Anyway.  There’s a slight tartness to it, too. Like a Berliner Weisse, almost, but not as pronounced.  Dry finish. No hops perception, and I really didn’t catch any clove. Nor any effervescence.

The wheat beer well known at Black Bridge is Wicked Poison.  It’s a 14% monster.  In contrast, K-Town is a modest 4.7% abv, so it won’t clobber you.  It’s also good with sour cream & onion dip.  Make of that what you will.   Sit on your porch, watch spring happen.


Home Brew Interview: Joe Fellers – Part 2

Here are some additional words from local home brewer, Joe Fellers, from Black Bridge Brewery and the Cartoon Casual podcast.

We left off with his experience with yeast culturing.  You can find the first part of the interview here.  Now, read on for Part 2.


– So, we’ve talked about beer and cider. What other kinds of alcohol interest you?

I do love whiskey’s. I like – I’m really particular when it comes to whiskey’s. I can’t stand most American whiskey’s except for bourbon. Don’t like sour mash in any way, shape or form. I don’t really like white lightning, moonshine. I do love a good, dark rum. And by good I mean Captain Morgan Private Stock and then up. I’m not even that discerning when it comes to dark rum. Bourbons, rums. Lately, in the past year or so I’ve gotten into Scotch and only because I have a friend who has more money than me and is very …

– Your One Percenter pal?

Yeah, my one percenter pal, who is also very generous with his Scotch and knows his Scotch really well.

– Have you had the rums out at Desert Diamond?

I have. I go out there probably once a month and try their stuff. I really, really like Desert Diamond’s stuff. And again, it’s all local. Even their sugarcane comes from southern Arizona so that’s as local as it’s going to get.

I do love wine. Wine is something that is a new thing for me, probably in the past six or seven years. And only last summer did I finally get into white wine. I looked real manly just swirling my white wine around. It doesn’t matter though, I really don’t care because when it’s hot out there, when it’s 110 degrees and you walk into barely swamp-cooled places and it’s still 90 degrees inside, I want a chilled pinot grigio. It just tastes good. And I will not be emasculated for that!

– Hey, some of the best men in history have enjoyed good wines. Okay, so what’s the best beer trend right now?

Best beer trend? Do you want overall trend, or trendy?

– Overall trend

Best overall trend is toward craft beer because we’re still chipping away at the big boys of beer, their market share. The report for 2017 is another three percent we chipped away. Which is almost twenty percent in the past ten years, excuse me, the past twelve years. Still a long way to go.

Then I would say, trendy, the thing that I love is keeping things as local as possible. When it comes to ingredients, when it comes to staff, when it comes to self-distributing. Because as soon as you pay somebody to distribute your beer you add another barrier between the brewer and the consumer. I like self-distribution. There are several states that have now passed laws in the past twelve months or so that allow for self-distribution of microbreweries, whereas before they had to sell their beers to a distributor and the distributor sells it to a seller and then sellers provide it to the person.

– Is the Homebrewer’s Association working on furthering that? I know they are getting into a lot of legal issues.

I know that the Brewer’s Association is really big on pushing that. I wouldn’t say they are lobbyists but they are definitely pushing things in that direction, providing lawyers when needed to kind of help. People hear about things, legal problems when it comes to the craft beer industry or even the craft distilling industry because they have the same difficulty, a lot of the legal difficulties aren’t barriers put in place on purpose, the laws were just written prior to the industry kind of taking over like it has. The best example of that is in Arizona – up until a couple of summers ago you could only have growlers that were glass. They couldn’t be metal. That changed two summers ago. Now, you had breweries who didn’t care about it, they were like ‘we’re going to use metal because it’s more sustainable, it weighs less’ and etc. But technically it was illegal. It had to be a glass container, 32 ounces, 64 ounces, no more than 128 ounces. And that’s what the law stated. But that’s because the law was written when glass was the only thing available, in a large capacity. So a lot of those things have to be changed. And it’s happening.

Dogfish Head – you know how they got their start. Sam Caligione got the money and, come to find out, breweries were illegal in the state. He went to the state congress and changed it. Pretty phenomenal. So a lot of things on the books are getting changed and I like to see that. And it’s opening people’s eyes. But on the whole, I’d say my favorite trend is the local, essentially farm-to-table, but for beer. Getting things as local as possible. If we had the climate here I would love to see a Kingman hops variety used in twenty percent of the beer.

– I have a friend here who has some hops vines. I need to talk to him some more about it because I’d really like to use that in my home brew. So, I think local hops would be something that’s possible.

Absolutely. It is possible – if you plant it properly.  And you have to water the bejesus out of it. And you’re not going to have the production that you would normally have in an area that was cloudier and cooler, we don’t get that. The Pacific Northwest, central Czech Republic and southern Germany, like those areas, they get their first cold snap, which is what triggers your hops oils to produce and then it warms up again – we don’t get that. Sometimes we do, but sometimes it’s 95 degrees in October. But consistently the Pacific Northwest, New Zealand, those latitudes they hit that cold snap in late August, early September. But you can get it around here. I’ve had beer made with hops from around here. You just have to use a lot more. Jeremy Fass, he grew some in his back yard. It didn’t produce a lot and it took two years, or three seasons to get a few ounces off of one vine.

Tell me the opposite of that, what’s the stupidest beer trend?

Oh man. Let’s see if I can marginalize and alienate people.

– Don’t worry, you can say anything and in the current culture you’re going to offend someone.

Yeah, this is an offended culture.

Anything that’s so extreme that it is a detriment to whatever it is. So if you have an IPA and you put too much hops in there and all it does is eat the enamel off your teeth, there’s no subtle nuances, there’s no finesse to it, I don’t like that. Same thing goes with sours. Oh, I had a smoked pale ale from a brewery I won’t name and it was kind of like drinking liquid smoke. For hours, hours afterward I would burp and I thought a puff of smoke was going to come out.  I only had one of them.  I bought a six pack (I wish I had that $11 back), but I powered through the one. Half of it was while I was eating food so it was easier to take and once I was done eating my food I drank the rest of it and it was so bad. So if you’re going to have a smoked beer, it should be in addition to the beer itself, it should complement. It’s all about balance. Anything that’s completely out of whack for what the beer should be is just too extreme. Going way to extreme is just annoying.

There’s a couple ways to look at that. There’s a beer that’s on tap, most of the time, at a brewery in Vegas, that’s around twelve to thirteen percent [abv]. It’s not very good. And not to toot our horn, but Wicked Poison is at fourteen percent. It’s good. It pays the rent. It’s a very popular beer. It’s like a blank, clean slate. You can add all sorts of things to it but it’s also good by itself. So if the end result of the extremism is a detriment to the product and it’s just extreme to be extreme, that’s annoying to me.


So we’ll end part 2 here.  The final segment of Joe’s interview will be here soon.

Home Brew Interview: Joe Fellers – Part 1

Kingman has a community of home brewers.  Now is the time to bring them into the light for they are the vanguard of such fabulous beer in this town.  Joe Fellers is one of these home brewers; many of you will also know him from his tapster duties at Black Bridge Brewery on Saturday’s.  You probably also know of the podcast he co-hosts,  Cartoon Casual.  Now you will know more of him.  This interview will be published in multiple parts, so keep reading.


– First, tell us the story of your beginnings, your home-brewing beginnings . How’d you get started?

In the summer of 2009 I was unemployed and had just been dumped by my live-in girlfriend. So she left, I didn’t have a job or any money, but I still liked beer. So my buddy Steve said, ‘hey you should come over to this guy’s house, he makes his own beer in the garage. Come over and have some beers.’ I was sure it was going to be awful, served out of some plastic buckets.

– You had no faith in home brewing.

None. I had none, because I had had one home brew experience about ten years before and it was garbage. I was just going to go ahead and continue to buy my own beer. I mean, I liked okay beer at the time – Fat Tire, Arrogant Bastard, like the junior league craft beer stuff.

So I go over to Tim Schritter’s house and I walk in his garage – and his garage is set up basically like a brewery. Not basically, it was a brewery. He had a nice stainless steel hand-wash sink; he had six refrigerators or something in there, some for service, some for fermenting; got introduced to Tim and I proceeded to get completely wasted out of my gourd because every single beer I tried was really, really good.  And then I told Tim, “hey I wanna learn how to make beer” (spoken in Will Ferrel’s Harry Caray voice, if you know Joe you can hear it now) and he was like, ‘okay, you come back in the morning and I’ll teach you how to make beer.’ Later on, I found out he didn’t expect me to show up; but I got up, grabbed a couple of Egg McMuffins and some energy drinks and showed up at like 7:30 in the morning the next day and, uh, and that’s it. That’s how I began home brewing. He showed me how to brew beer, I looked up the chemistry – the actual chemistry behind it and got really interested in it because I’ve always been interested in science.  Through Tim, and then Jason Fuller, as well, because he’s a science teacher and a home brewer – we all saw eye to eye. It all just clicked in my brain, it totally made sense to me. It’s one of those things where some people look at something and it makes sense – I looked at recipes, at mash temps and things like that and it just kinda made sense.

– What other kind of science do you have in your background?

Just a giant nerd. I always excelled at science. I grew up in Ohio, so you had to take earth science, biology, chemistry then physics in high school and I tested out in the first two so when I was a freshman I was taking junior level classes and I just went from there. I just absolutely love it. So I had no real background in anything scientifically applicable to brewing, but it clicked in my brain – ‘oh, okay so this – we need to have a good mash pH for this and have this and this and amylase reactions …’ For whatever reasons, that all made sense to me.

– So why do you keep home brewing?

I get like a creative energy that I just need to get out.  I love to cook.  I love taking something from raw ingredients and making something different out of it. Brewing allows me to do that. And I’m not working in a commercial setting so I can do whatever the hell I want. I can experiment, and if it’s god-awful, then it’s god-awful. Like, my Bavarian style hefeweizen ferments at above 68 degrees, has banana characteristics to it.  I love chocolate covered bananas so why not add chocolate to a Bavarian style hef? Not a good idea, for the record. It’s not very good! But I figured that out by making it and then forcing myself to drink five gallons of it. Because I’ve never actually done small batch home brewing, like I’ve never done a one gallon batch – it’s been four and half to five gallon batches every time I’ve done an experimental beer.

– I just saw an article about blending. Have you ever done that with your beers, your home brews? Like if something went wrong, or just purposely blending them together?

No. I never have. Whenever I’ve had anything go wrong, it was so tragically wrong I didn’t even want to dump it down my drain. I wanted to dump it down someone else’s drain.

– Were you able to do that?

Yes, and I will not disclose where it was dumped. I’ve only ever had three tragic failures – only three I can remember were actual real bad failures. And they weren’t even failures of my own – it was the airlock getting clogged and blew the top off and infected the beer. That happened to me twice and another time was just pure dumb.

– Tell us your current favorite beer or beer style.

What’s Red Bridge? Irish red? Current favorite because it’s in my hand.

But honestly I have to say, I have to supplant that with Hops & Dreams, the New England IPA. It’s just so … I went through what a lot of people went through that were into craft beer or have been into craft beer, say, the past four or five years – the hop fatigue, so to speak.  Because IPA’s became so prevalent but also turned into a pecker measuring contest. “Let’s hop it up as much possible!” But that’s akin to the guys at the chili cook off who say “you can’t have more than a couple of spoonfuls of my chili, it’s so hot.” Well, I’m hungry. I want to taste, I want something with good flavor, I don’t want it to be just too hot. The same thing goes for IPAs, it just got to be a little too much. And now sours are starting to become like that. So for a while I just went away from IPAs, heavily hopped IPAs.  But the more I try this “New England Style,” the hazy, citrusy IPA, well I’m falling in love with them all over again. I just had to take a break and then go back to them. So lately my favorite has been the New England Style IPAs.

– So, now that your boss has left, what’s your current favorite brewery?

To be perfectly honest with you it’s almost always Black Bridge and it has nothing to do with brand loyalty, which I do have, obviously.  Brand loyalty because I work here; I’ve seen it grow from Tim making beer in five gallon buckets and serving it in his garage and getting me drunk to what you see now.  But, Tim and I, while we’re friends, I don’t get a lot of communication from him that tells me what’s coming up. He’ll tell me, ‘hey guess what I’m going to brew tomorrow’ but that’s about the extent of it. It’s not like I know what’s going on in his head.  So I’m still surprised by the beers that I’m pouring. But if had to pick a “second favorite” even though my boss is still gone, it would probably have to be Wanderlust, out of Flagstaff.

– All right, I’m on board with that. I love that place.

I do, too. And I love the idea of … I’m a big fan of the farm-to-table movement when it comes to food and I love the idea of making beer as local as possible. Because while it is cool to import things, just weird, exotic things to put into your beers, I like the extreme opposite of that which is grain that is grown down the street and yeast harvested literally out of thin air, which is what they did for several of their beers at Wanderlust. They don’t buy commercial yeast. Their 928 Local, whatever the hell it is, I don’t even know – I think it could kinda be considered a farmhouse ale – 928 Local is yeast that was propagated from sugar water being left out, just like you would a sourdough starter. And it’s delicious. So yeah I’d say that Wanderlust is my favorite, that I don’t work at.

– Have you ever been able to do that ‘bootleg biology?’ Culturing your own yeast like that?

I have. I’ve done it on several different levels. The house strain … oh, I forgot, who makes Fat Tire? New Belgium. New Belgium’s house strain that they use for the majority of their beers is incredibly hardy and it’s related to Scottish 1728 that we use here and they actually use it in their lagers as well. It’s technically an ale yeast.  But I propagated that, or harvested that, from several bottles of Fat Tire. Left a little in the bottom of the bottle, swirled it around, add it to the thing and put it in the fridge and six or seven bottles later start adding some sugar syrup to it and then you propagate.  Then made a batch of beer and saved it. I actually have a few vials in my refrigerator. But as far as spontaneous fermentation, I’ve never done that locally, but I plan on doing it this summer. I have a friend whose mom has several apple trees. I want to make a cider the traditional way. I found somebody in town who has a cider press and I want to try to make 15-20 gallons of cider and ferment the must from yeast I harvested out of the air.



Hooked, aren’t you?  Well, I’m going to stop there for now.  Watch for the next post wherein we’ll uncover Joe’s other favorite alcohol’s, his view on beer trends and legal diatribes.

Regarding Stresstout – An Imperial Stout by Black Bridge Brewery

When the digital places have totally stressed you out … only a beer can resolve things!

Black Bridge Brewery has a powerful selection of stouts to drink.

  • Locomotive
  • Stout Chocula
  • Frankenstout
  • Mole Stout
  • Angry Elf

Three of those are blends and Angry Elf is seasonal and all are potent and satisfying beers, each one.  I am also quite partial to stouts and porters, but surely that has no bearing herein.

Another stout can be added to the list.  In addition to clever word play in it’s name it boasts eleven percent alcohol and barrel aged gravitas.  It’s been four years since the last time Kingman residents have been able to relieve their stress via Stresstout.  This bourbon barrel-aged version will be on tap, I believe, February 3.

Here are a few things to look for in an Imperial Stout, :

  • Roasty-burnt malt with deep dark or dried fruit flavors
  • A warming, bittersweet finish
  • Components need to meld together to create a complex, harmonious beer, not a hot mess.

That Smell …
I perceived chocolate and coffee in the nose first, moderately strong dark charred malt, then the embers of, maybe some dark fruit.  Then the bourbon arrives … .  It’s a complex bouquet, no hops perceived.  Strong and inviting.

In Appearance …
Beautiful, really.  Here’s a picture:


It defies the desert sun, countering the deep sunset with brown, garnet and ivory.   It sported a thin, tan head with low retention, but that could have just been the glass.

But the Taste …
While the bourbon does not dominate it makes itself known.  As with the aroma there is a moderate presence of burnt malt.  Stresstout is like Locomotive Stout married to a svelte whiskey; or Katastrophic Humiliation with a lot of dark malt.  It’s definitely got a barleywine-like alcohol punch.A little vanilla and oak come through as well.  It’s definitely got a barleywine-like alcohol punch.  As noted, I perceived no hops in the nose and really did not notice any hops flavor or bitterness.  It has a warm, alcoholic finish.    It’s has a solid, not heavy, body.  In that regard it resembles Black Bridge’s other Imperial Stout, Angry Elf.  Both of these are ridiculously and dangerously easy to drink.

Another superb addition to a strong tap list at Black Bridge.  This is a complex beer, sometimes it’s even possible to forget you have a beer and think you’ve got a big glass of whiskey.  It’ll make you feel refined.  In fact, if this were a book … well, I’d just have to call it poetry – and not cheap doggerel.  Maybe you are familiar with Rumi.  His poems are gorgeous, composed of words like everyone else uses but placed together in a way that is sublime and practical, esoteric and approachable.  Therefore, it’s a good metaphor for Stresstout.   It’s a really well done stout.  For beer fans, this is a complex delight with no end to dissection; for beer novices this can expand the palate.

For more details on an Imperial Stout, see section 20c of the Beer Judge Certification Program Style Guidelines.  Here’s a few highlights:

20C. Imperial Stout

Aroma: Rich and complex, with variable amounts of roasted grains, maltiness, fruity esters, hops, and alcohol. The roasted malt character can take on coffee, dark chocolate, or slightly burnt tones and can be light to moderately strong.  … Fruity esters may be low to moderately strong, and may take on a complex, dark fruit (e.g., plums, prunes, raisins) character. Hop aroma can be very low to quite aggressive, … An alcohol character may be present, but shouldn’t be sharp, hot, or solventy. Aged versions may have a slight vinous or port-like quality, but shouldn’t be sour.

Appearance: Color may range from very dark reddish-brown to jet black. Opaque. Deep tan to dark brown head.

Flavor: Rich, deep, complex and frequently quite intense, with variable amounts of roasted malt/grains, maltiness, fruity esters, hop bitterness and flavor, and alcohol. Medium to aggressively high bitterness. Medium-low to high hop flavor (any variety). Moderate to aggressively high roasted malt/grain flavors can suggest bittersweet or unsweetened chocolate, cocoa, and/or strong coffee. … Malt backbone can be balanced and supportive to rich and barleywine-like, … The palate and finish can vary from relatively dry to moderately sweet, usually with some lingering roastiness, hop bitterness and warming character.

Mouthfeel: Full to very full-bodied and chewy, with a velvety, luscious texture … . Gentle smooth warmth from alcohol should be present and noticeable, but not a primary characteristic; in well-conditioned versions, the alcohol can be deceptive.

History: A style with a long, although not necessarily continuous, heritage. Traces roots to strong English porters brewed for export in the 1700s, and said to have been popular with the Russian Imperial Court. After the Napoleonic wars interrupted trade, these beers were increasingly sold in England. The style eventually all but died out, until being popularly embraced in the modern craft beer era, both in England as a revival and in the United States as a reinterpretation or re-imagination by extending the style with American characteristics.

The Mandela Effect and a Door to Hell

Dimensions shift, time is in flux, beer remains. And here’s a Belgian for your enjoyment.

Like so many other Terrans, I grew up in a house. The house was located in Aztec, New Mexico. I even remember the name of the road, San Juan Ave. (My friend Royal can still recall my old phone number, a landline, connected to a yellow phone mounted to the wall in a hallway in the house; this was back in the ante-nomophobia era). There was a picture window. Some kind of floral pattern on the couch and chairs. There was a television.

In that house, via that television, I know that I watched a TV series. Yes, fine, I watched more than one, that is not the point of this anecdote. The point is that there was a particular series I watched, and I’m positive I watched it in that house in the late 1980s.

The series was Sliders.  Perhaps you remember this show.  A young genius type discovers a portal to various parallel, alternate Earth’s. He and his entourage travel through these parallel dimensions on a quest to return to their own earth.  Each dimension of Earth had some variation from the “reality” we experience.  In one episode, they tackled the subject of gender politics.  Women were running everything in that dimension and men were dealing with suppression.  One episode imagined what would happen if the Summer of Love had never ended.

Some time back, it became available on Netflix.  It claimed the show was from 1995.

No.  No, it was somewhere around 1988.

By ‘95 I had been married for three years and had a child on the way.  And I lived here, in Kingman, Arizona. It seems certain to me that I would remember watching that show with my nascent family if it had indeed happened in 1995.  My wife doesn’t remember watching it with me.  See?  It clearly happened in the late 80s, before I met my wife.

That blasted archive of all knowledge known as Wikipedia had the audacity to agree with Netflix. Sliders began, wrote the anonymous know-it-all-and-sooooooo-misinformed writer of the entry for this show, in 1995. The rest of the Internet, in keeping with its conspiratorial nature, agreed.


This was my first encounter with the Mandela Effect.

Tell us more of this enigmatic phenomenon named after a South African philanthropist, you say. I hearken to your clamor.

The Mandela Effect refers to collective memories that don’t jive with what many call reality. Some say they are false memories. One example is my experience above with Sliders. My mind clearly tells me when I watched, evidence indicates otherwise. So, which is right? My memory or the data “they” have collected?

Here are some other examples of this Mandela Effect:

  • The most well known is likely the namesake of the memory anomaly: Paranormal researcher Fiona Broome evidently coined this term when she became aware that she and many other people believed that Nelson Mandela died in prison in the 1980s. He did not die until 2013, thoroughly tripping out Broome and her contingent.
  • There is a group of people convinced that the comedian Sinbad made a movie called Shazam sometime in the 1990s. Why they would want to think this should be it’s own phenomenon.
  • There was, maybe still is, a series of children’s books based on a family of bears, the Berenstain Bears – or was it spelled Berenstein?

There are doubtless more. Look up “Mandela Effect” on the Internets and have a ball.

That’s great, you say.  People’s memories are wonky.  Why give this issue a name?  It is because of the theories people have regarding why their memory is wonky.  They don’t believe in the wonkiness.  They believe there is something else happening.

Some contend that these alternate memories prove that portions of the world’s population are from another dimension, Ala Sliders, thus they recall these events as they occurred in their native dimension which is different from the way events unfolded in this dimension, the one wherein you are reading this blog post.   In my original dimension, Sliders was on TV in 1988;  Nelson Mandela died in prison.  I cannot express how thankful I am that the Sinbad thing did not happen in either of the dimensions in which I have existed.  How, exactly, some of us are transferring dimensions and others are not?

It may be a perfectly normal spacetime event that we have simply not observed empirically or otherwise as yet … or it’s CERN’s fault.  There are those who claim that CERN, the European Organization for Nuclear Research, experiments have allowed this dimensional shifting.  They are seeking to substantiate the multiverse theory, after all.  Maybe they did it.

Here’s a description of one of their experiments.  “The neutron time-of-flight facility (nTOF) studies neutron-nucleus interactions for neutron energies ranging from a few meV to several GeV.”  I mean, if that doesn’t just scream, “we are opening a time portal,” well I don’t know what does.  Perhaps they have succeeded.  Shadowy figures are traveling into the past and rewriting history and that’s why certain things and events are slightly different for us.  Apparently, they are in beta-testing of this program and only doing inconsequential things such as renaming children’s books.  I’m glad to know that even in the future government funded science ops are still absolutely daft.  Hope blooms …

It is also possible that these memory problems are from glitches in the matrix.  The robot alien overlords like to dink around with their flesh batteries.  “Unplug them just a little so they think Sinbad was a superhero, tee-hee-hee.”  Jerks.

For anyone who has actually read this far, well, I salute you.  Go forth and buy yourself a treat of some kind and look in a mirror and tell yourself how bloody awesome you are.  Now I come to the point at last.

All of the above is due to Black Bridge Brewery and Tim, in particular.  I was there one eve, as is my wont (might’ve been an afternoon, actually … curse you, CERN!) and Mr Schritter happened to mention that he had a Belgian beer coming on soon that I would enjoy.  It was called Door to Hell.

I said, “Great, that was a good beer.”

He responded with something like, “You are a moron.  I’ve never had that beer on tap here.  It was a pilot brew that Fuller and I did.”

I just stood there aghast and flabbergasted and all those silly things and mumbled some kind of, “but I’m sure I had it.”  (And I did, see, in MY dimension).

Look, I even have photographic evidence of temporal or dimensional alterations:


It’s on the Glass, man.  It’s on the Glass.  Along with all the other beers made by Black Bridge.

Whatever.  In any dimension, it was a good beer.  It is a good beer.  All this shifting is demolishing my grasp on grammatical sense and tense.

Here are some notes on the actual drinking of Door to Hell, a Belgian Quad, in this current dimension.  And, no, I am sorry, I did not use a proper Belgian goblet.  I’m sure I should be punished for that.  Maybe I was, in another dimension.

The Smelly Parts
At first, there was caramel and vanilla.  And then some maple.  That melded into a grassy, resinous field.  It was spiky, if that makes sense.  Sharp, alcoholic notes rose from the field.  There’s a lot to unpack in the nose of this one.

The Optics
Condescendingly clear and a bit on the dark side.  A subdued brownish red with bubbly white head.  It looks completely unassuming but well put together.  Like Mr Bond, James Bond.

The Gustatory Dimension
There’s no escaping the dark fruit nature of this beauty.  You know, the figs, the dates and then there is bourbony caramel.   It’s also little dry, nicely crisp and juicy. Sugar and crystal, like sequins on a slinky dress.  It is sweet, rich and heavy.  Hops did not appear except in the aroma.

The Last Words
Approved.  It doesn’t have the fusty, earthy character of Belgian beers but does have a vinous quality.  It’s quite nearly Shakespearean, really, a confluence of influence, poetic palate, tragic if you drink too much at once for it is not wanting in alcohol quantity.

Two New England Style IPA’s – Hops & Dreams and Anaconda Squeeze

Two Beers. The Northeast meets the Southwest.

It’s not officially a style. Yet it has become a thing in the brewing world. It’s yellow, hazy and fruity; a pale ale crossed with a Hefeweizen.  A double IPA, unfiltered.   It’s called New England IPA. Saturday, December 9 is the tapping party for Black Bridge Brewery’s take on this beer.

I have not had an actual New England IPA. At least, not that I can recall.  I’ve only ever lived in the Southwest: Texas, New Mexico, Arizona. My experience is limited to what I’ve read in brewing literature. Let that inform all that is to follow.

The beer style has also been called a Vermont IPA, since Heady Topper from the Alchemist is evidently the prototype for this beer, though there are brewers in Oregon that argue they’ve been brewing a cloudy, subdued IPA much longer. I’ll leave them, and the reader, to debate the history and nomenclature of this kind of beer.

It appears to me, from my reading, that these beers should be moderate in hops bitterness, heavy in hops aroma, especially of the melon-ish variety.  And they should have a juicy quality; i.e., it should be like drinking a moderately hopped orange juice.

Here’s a few current descriptors of this nascent beer style, highlights I looked for in my pint:

  • Hazy, turbid appearance
  • Tropical fruit aroma with restrained hops bitterness; grapefruit, peach, apricot
  • A soft, pillowy mouthfeel with a creamy aftertaste
  • Juicy, fruity flavor. Esters from yeast are good.

For now, I’ll focus on what I think the beer is supposed to be and Black Bridge’s version, which is named Hops & Dreams.  (Fear not, Hops the Cat is still alive and well at the brewery. Perhaps some of you were also concerned that the familiar feline may have made its way into the beer itself, not just its name).

That Smell …
The resinous aroma of Cascade-ish hops erupts from this beer. There are other hops there, to be sure, but mostly of the piney nature; Idaho 7 for example. Another customer in Black Bridge indicated this beer was redolent of naught but grapefruit to her. Scents of tropical fruit and black tea faintly appeared to me about halfway through the pint. They were very subdued.

In Appearance …
Perfect. Just like a wit beer, hazy and milky and a solid white head. Burnished yellow, like a faded highway traffic sign. The haze was made appropriately, with some additions of wheat.

But the Taste …
Restrained hops bitterness is one of the characteristics … but we are talking about Black Bridge. I expected little restraint in the use of hops and was not disappointed.  The initial hit of this beer is a mosh pit of sharp, resinous, piney hops. The aftertaste, too, is harsh and astringent. Not unpleasant, mind you, just aggressive and dry.  In between the first taste and the aftertaste is a medium strength body.  The malt character, of which there should not be copious amounts, is enough to make this very drinkable.  Far more drinkable than I anticipated after the first few swallows.

It’s appropriately hazy, but I could not discern the fruity hops notes, or the juice-like mouthfeel, that I expected. If I recall correctly, the B3 house yeast can produce pleasant esters, which would work in this beer. And their recent barley wine, Katastrophic Humiliation, certainly had some soft, tropical fruit notes that would also fit this beer perfectly.   I thought some of that might make an appearance here.  But I could not find them.

That does not mean this beer is without merit.  Hops & Dreams is a hops forward and alcoholically powerful IPA and has Black Bridge’s fingerprints all over it.  Tim Schritter  loves beer and brewing, and the IPA style in particular, and it shows in this beer, which I think of as a session double IPA.  (Ironically, I that’s what Heady Topper is classified as, too, which I did not know before writing all this).

Actually, it seems to me that it should be called a Hualapai Style IPA instead of New England style. It is barbaric and beautiful as is the desert in which it was born.  While I did not find what I expected (and that’s all on me), there is no flaw in Hops & Dreams.  I hope it finds a permanent home on the Tap List.


Now on to the next New England Style IPA that can be found in Kingman. This one is at Rickety Cricket, just down the street from Black Bridge.

I had a sample of their kolsch at a recent beer festival and that is the only exposure I’ve had to the brews Terry is producing at the Cricket.  His NEIPA, called Anaconda Squeeze, was the first actual pint I’ve had from them.

That Smell …
Not much aroma came from the beer, certainly no fruit or floral hops. Standard grassy bouquet.

In Appearance …
The Anaconda’s clarity was fantastic, even though it should not have had any whatsoever. It completely lacked the turbidity that should be present. It was also a bronze-ish red. That is slightly off the spectrum I anticipated. Needs to be a pale yellow.

But the Taste …
Hops flavor was missing from the body of the beer, too. There was a hint of some American hops, perhaps, but not very heavy. Some malt character came through.

Anaconda Squeeze has a cool name (if, indeed, it is derived from Nacho Libre).  It is, admittedly, not a New England style IPA although it is billed as such by the brewery. Terry knows it needs adjustment. The beer is a good, standard pale ale. Nice clarity, good mouthfeel, easy to drink and no substandard flavors at all.  I need to try some more of Rickety Cricket’s beers, to be sure, but right now I’d say they need to find a way to make their beers scream “we are Rickety Cricket and we love beer.” They need a signature of some kind.

You can have both of these beers this weekend. My pick will be Hops & Dreams.



Further Reading for the Style that Isn’t a Style:

The B3 Brunch Redux

Black Bridge is hosting breakfast again. This time the brunch is catered by Sirens Cafe, a restaurant next door to our venerable nanobrewery. The menu is quite different from the previous offerings, but Carmella usually does good work so I was optimistic.   

We started with drinks: a beermosa made with Lil Orange Van, Oktoberfest and 66 Porter, and a Dr Pepper.  So, everybody – Lil Orange Van Beermosas. Fantastic!  You’re welcome, Kingman, for having that drink introduced to you.  Seriously, you want it. (Insert Jedi mind trick hand wave). 

Then we ordered breakfast; a ham & Swiss quiche; candied bacon avocado toast; chicken & waffles with bourbon syrup. Now, I’ll be totally honest here. Sometimes, I feel that Sirens does some, well, eclectic food. And I was a smidge concerned when I saw the menu for today.  However, I am now totally a believer. The food was great. I had the chicken and waffles. Both were light and ambrosial. Really, that lightness was key. It was not a greasy slab of chicken and overly breads waffle. They were balanced and slight on the palate and the syrup was not overpowered with bourbon. The hint was there and that was sufficient. 

So, I won’t say it was superior to Tim’s fare last year -his candied bacon and pozole was just superb – but the food today was sapid, toothsome, yummy. I was very happy.  

Granted, I’m no foodie but this was a lot of fun and a good addition to the program for livening up the downtown area.  Cheers to Tim and Carmella!  I will look for the next opportunity to attend the Hipster Breakfast. Even if I’m beyond the “hipster” years. Whatever.